It is rare to see the beginnings of a movement. Yet looking at the audience as Dom Liberati exits the stage, it is clear to everyone that they’ve just experienced something great. The energy and anticipation for more of his music is palpable, and Liberati has no problem leaving fans wanting more. Add his ex-quarterback good looks and small town charm to the mix, and it’s impossible for the singer-songwriter to leave without an encore. His much-anticipated new album The Good Hurt is practically demanded by his ever-growing legion of fans. Liberati’s sound pays homage to his influences, blending The Police with Jimmy Eat World and Kings of Leon. His confessional songwriting connects with anyone pining for a past love or exploring the journey of self-awareness. Produced collaboratively with such partners as Michael Linney (Toby Mac, Michael W. Smith, Ke$ha), Jon Levy and fellow LA rising stars The Daylights, the collection of songs that comprise The Good Hurt eloquently document life, love and the struggl