by Scott YanowThe title of this album fits perfectly for John Coltrane was certainly at an important transitional point in his career at the time. Although he was still utilizing the same quartet that he had had for over three years (pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin Jones) and his music had always been explorative, now he was taking his solos one step beyond into passionate atonality, usually over simple but explosive vamps. Other than the tender ballad Welcome, most of this set is uncompromisingly intense; in fact, the closing nine-minute Vigil is a fiery tenor-drums duet. The 21-minute Suite, even with sections titled Prayer and Meditiation: Day and Affirmation, is not overly peaceful. It must have seemed clear, even at this early point, that Tyner and perhaps Jones would not be with the band much longer.