Marxy (W. David Marx) is an American living in Tokyo, Japan. His second album Forty Years From Now was recorded over the span of three years in Japanese apartments, Tokyo rehearsal spaces, a Manhattan living room, an Astoria, Queens bedroom, and the legendary Brooklyn recording studio Studio G. As in his critically-lauded debut album Kyoshu Nostalgia, Marxy surrounds his catchy pop melodies with musical references to classic sounds refracted through modern musical technology. The songs built around baroque harpsichord riffs (Broke Into Our Hearts,Slouching Towards Bethlehem) and transistor organ solos (To Save Ourselves) make Forty Years From Now often reminiscent of The Zombies and other psych pop of the late 1960s, but the digital edits, prominent analog synth lines, pulse bass, and chopped up beats drive the tracks into new territory, where past and future intersect.Forty Years From Now quickly jumps between glitch influenced pop (See Saw), lotech garage pop (Cotillion), campfire sing-a-long (Dippy Dave), gritty synth rock (Tachikogi), and powerhouse rock anthem (To Save Ourselves). The synthsquelch- breakbeat jam of Cat vs. Mouse features a guest lead vocal from U.T. - singer of Japanese art-pop girl band Kiiiiiii - and intricate production work by Pandatone.