A staple of pop, R&B and jazz over the past thirty years, this impossibly versatile singer's 16 album career during that time rolls like a fascinating journey through those genres while also drawing wisdom and inspiration on occasion from The Great American Songbook. Avant Gershwin, Patti Austin's shimmering hour-plus tour de force through both familiar and obscure — but always intriguing — selections from the catalog of George & Ira Gershwin, is, for the record, not the first time she's dazzled with their songs. Her 1998 masterpiece The Real Me included How Long Has This Been Going On? and They Can't Take That Away from Me. And her 2002 tribute album For Ella included Love Is Here to Stay, But Not for Me and The Man I Love. Recorded live before an audience at the Klner Philharmonic in Kln, and Westfalenpark Dortmund, Germany over two evenings in 2006, Avant Gershwin is in many ways an extension of the Fitzgerald tribute; both find her performing with the vibrant, brassy and swinging backing of the WDR Big Band. Its centerpieces are the Overture\u002FGershwin Medley — a twelve-minute, moodswinging romp through the big rhythm songs, Clap Yo' Hands, Fascinating Rhythm and I Got Rhythm — and the dramatic 17-minute Porgy and Bess Medley, which casts Austin as the consummate musical theater performer. The latter begins with a gentle orchestral overture and a tender read of A Woman Is a Sometime Thing and a lush twist on the familiar Summertime before shifting into full swing mode on There's a Boat Dat's Leavin' Soon for New York and back to port for the start of It Ain't Necessarily So ahead of a theatrical finish. Beyond right on the money arrangements and Austin's always colorful phrasing, perhaps the most inspired element of the project is her impeccable song choice. Rather than settle for the songs everyone's heard ad nauseum, with the exception of Swanee, she puts her own stamp on the lovelorn I'll Build a Stairway to Paradise, the witty and delightful Who Caresand Funny Face, and the heartbreaking Love Walked In\u002FLove Is Sweeping the Country. Lady Be Good provides a rousing, bold and brassy finish, with Austin doing the kind of sizzlin' scat that would do her idol proud. Who could ask for anything more? This CD was nominated for a Grammy award in 2007 for Best Jazz Vocal Album.