by Scott YanowCalling this set of performances bizarre would be an understatement. John Zorn inspired (through obscure game playing that is not explained anywhere on this CD) these 14 eccentric tributes to different types of cobras. Because many of the performances utilize samplers and voices (in addition to conventional instruments and miscellaneous devices), the wide range of sounds attained from the 87 musicians (heard in different combinations) is impressive, if often quite unlistenable, ranging from humorous interludes to very obnoxious noise. For a few examples, Cobra 4 has a man screaming over and over again, Cobra 2 features a sound collage with a male opera singer repeating the same four notes continuously, and Cobra 5 has, among its many vocal noises, a man imitating a dog barking. There are some colorful segments, but in general, these self-indulgent performances would be much more interesting to see in person than to hear on record. Taken purely as a listening experience, one is surprised that this material has even been released.