1969年电影《The Illustrated Man》原声。FSM限量发行3000张。美国1969年杰克.斯玛特(《中途岛战役》《地狱先锋》)经典cult名作，改编自Ray Bradbury的同名小说，是一部三段式的电影，曾获法国雨果奖提名。简介：故事的主角Rod Steiger是一个全身覆盖着纹身般图腾的神秘男子，他身上的每一个图案都代表着一 段他经历过的神奇故事。当男主角在酒吧里遇上了一位陌生人，便开始叙述这一个个充满科幻冒险的往事，当故事听到最后，这个陌生人才赫然发现，自己也成为了男主角身上的一枚图腾。这是一部神怪影片，情节 荒唐离奇，神乎其神。“神是这部影片的主题，导演利用摄影和剪辑的技巧，通过剧中人的梦境，叙说以及镜头的闪回，把主人公的遭遇和精神上的痛苦描写得恰到好处，主人公身上的画中故事更是令人感到神秘。by Neil ShurleyIn his evocative score to a largely forgotten 1969 anthology film (based on a collection of short stories by Ray Bradbury), Jerry Goldsmith weaves a simple, haunting melody through four permutations. Initially appearing in the Main Title as vocalese over orchestra, the melody wafts in as a sort of folk tune, utilized in a fairly traditional style for the film's framing segments. The three individual sections of the anthology then take the tune into more interesting variations, from the harsh electronics of the future in The Veldt (tracks seven through ten) to the quiet, woodwind-dominant feel of The Last Night of the World (tracks 14 and 15). The climactic Frightened Willie provides a terrific glimpse at Goldsmith's clever use of percussion and atonality to create a nightmarish soundscape. Throughout his career, Goldsmith was able to create scores that overshadowed the often workmanlike films they were composed to accompany. In the case of The Illustrated Man, even Ray Bradbury (according to the liner notes) felt that the music was better than the movie itself. The sound on this recording is superb, with the music (from 30-year-old masters) still feeling fresh and vital. This dynamic mix of Goldsmith's lyrical and serial compositional techniques is a solid addition to the composer's recorded legacy.