by Mark DemingWell, if it's good enough for Tom Waits, Bruce Springsteen, and Guns N' Roses, it must be good enough for Lambchop, and Kurt Wagner's super-sized Nashville chamber pop ensemble have followed in the footsteps of the above-mentioned artists by releasing two albums of new material on the same day. No, You C'mon was written and recorded at the same time as its sister set, Aw C'mon, and stylistically the two albums are cut from the same mold -- expansive, lushly arranged pop melodies with classic R&B and country accents, often accompanied by Wagner's engaging cryptic lyrics and nicotine-laced vocals, given life by a 13-piece band and aided by polished string arrangements. In fact, the most difficult question to answer about this music is just what's the difference between Aw C'mon and No, You C'mon? The obvious response is not much of anything, particularly in terms of execution and quality -- the two albums sound like twin sides of the same coin, and while Aw C'mon