Marcelo Radulovich is an auteur. On his latest album Vertigo at Lunchtime, and like it's veryimmediate predecessor Mercurio, all the sounds, words, ideas, songs, artwork and productioncome from the same source. Mercurio and Vertigo feel connected in a fraternal way, perhapsMercurio represents evening into night and Vertigo at Lunchtime springs into life at dawn and takesus through the daylight hours. The opening track (and album title) is every inch the driving songwith the listener emerging into a bright new morning full of twisting possibilities. ( everything is AOk cos' something good always turns up). The mood is upbeat, positive, the melodies are deliriousand catchy but we are being taken on this jaunt with an eye on the undertow, the undergroundtributaries where a good time can be thoughtful, introspective and surreal. We are carried along on groves (waves on a beat) and the stories and incantations come throughin Spanish and English, an international music full of emotional dictati